Time is a drug,
both good and bad
Infecting and curing,
the happy sad
Time is a stipend,
to cash at will
Its fund ever spending
—to last until
(The New Room: February, 2021)
Time is a drug,
both good and bad
Infecting and curing,
the happy sad
Time is a stipend,
to cash at will
Its fund ever spending
—to last until
(The New Room: February, 2021)
Shifting into tomorrow,
today passing through the exhaust
The RPM’s marking time and space
—direction all but lost
(Dreamsleep: February, 2021)
Surfing the crest of
a midsummer night’s dream,
the waves became my friend
Rising and falling
in sets of remembrance
—last break to never end
(Dreamsleep: February, 2021)
I refuse to remember
what I can never forget
Words lost to my memory,
lined deep with regret
The faster I write,
the deeper I hide
A reckoning hovers
—forgiveness denied
(Dreamsleep: February, 2021)
The answer unquestioned…
a circle begins
The question unanswered,
enlightenment wins
The answer cries lonely,
a tree with no bark
The question roots deeper
—new light from the dark
(Dreamsleep: February, 2021)
Deception comes richly,
new lies in its purse
Old wolves on the mountaintop
—Gideon’s curse
(Dreamsleep: February, 2021)
You could,
but you can’t
You would,
though you won’t
You did,
then you didn’t
You were
—and you weren’t
(Dreamsleep: February, 2021)
A place though small enough to write,
still big enough to dream
My pen, a passport out of time,
with phrases to redeem
The North Wind calls, a purple sky,
on wings my ear enchants
And hears but one voice through the clouds
—to make the letters dance
(The New Room: February, 2021)
Does your writing dance above the words
or somewhere down below
Do voices borrowed and feelings loaned,
occlude your diction’s flow
Do phrases couple and stanzas mesh,
in new harmonic forms
Does music waltz proudly from page to page
—to score new lyrics born
(Walking With Colby: February, 2021)
Surrogate reality,
divorced from what’s real
The news on your cable,
and movies conceal
The brands that you purchase,
the labels you wear
Convince you of something,
the ‘Emperor’ shares
While consciously vacant,
unconsciously lost
The dew on the lilacs,
impermanent frost
Like quicksand it’s calling,
disguised as a beach
Your essence is falling,
and far out of reach
As peacocks left strutting,
unable to fly
Your time ever wasted
—and waving goodbye
(Bryn Mawr College: February, 2021)